*Definition of a throwback*You really know the meaning of “throwback” when your childhood friend, same guy who was the bass player in our neighborhood R&B band in the day, texts you a picture of the original lyric sheet of the very first original song the band played, co-written with him and the band’s trumpet player. “All I Need Is You”. Music composed, arranged, and recorded by five teens just starting to do gigs around town….mannn! ✨✨✨.
Greetings and good evening….
As is often said, “Where did the month go?” Three more days until we enter in the last quarter of 2018. It’s just after 9pm and it was a long day at work – two hour meeting followed by coming up to speed on various aspects of the current mission I’m working on, via a lot of reading. Top that off with the fact I should have gotten my tail in the bed earlier last night.
In any event, those of you that have been following my many blog posts this month, Darrenkeith and I have been on an accountability journey regarding this sabbatical we’ve both taken from Facebook, Instagram, and a few other social media sites (save Twitter), waxing philosophically as we go. As said earlier, what I thought (in the beginning) was spending too much time engaged in social media turned out that the result of that was the lack of putting my phone *away and out of sight*. I’m convinced now that is the crux of the issue – an issue that I’m glad became clear during this sabbatical. I’ve read and shared a few articles with you on the subject already and came across one that I shared with Darrenkeith this morning. It was interesting because it involved a handful of subjects who sought to deal with this particular issue in their own, separate ways. I’ll share a link to that article below. I’d be interested in reading your comments on the article. in addition, there is a podcast that I recently listened to that provides fantastic insight and balance on the exact topic of this blog post, it talks to considerations of persuasive technology.
Suffice it say, I’ve come up with a number things I plan to put in to play in hopes of dealing with the same, in a way that I hope to prove beneficial. That said, if I am a lot slower in getting back to you via text, Messenger, Twitter DM, and the like, as Jermaine Jackson sang “Don’t Take It Personal….” (it truly isn’t)… just attempting to return to a time, long, long, ago (LOL) of less distraction from mobile device-ism, less “device dopamine hits” and more movements towards being in a “tech-less” moment and goals achieving state.
In a few days, I’ll reactivate my FB account and deactivate my personal Instagram account but keep two music production Instagram sites for branding purpose – the only difference this time is that neither FB or IG apps will be back on my phone. All (what I continue to be) my best photos will be seen from my Flickr account from here on out. The pleasure of blogging from my own “theater” has returned this month, so be on the lookout for this relationship:
Come 1 Sept, the rubber (of the sabbatical) meets the road (of reality) – let’s see what sticks after a month off.
Thanks for bearing with me….
:::oceans of rhythm:::
Fresh!
References:
1. Tech Titans Dish Advice About Phone Addiction – Great Escape – Medium
2. This World My Life – Darrenkeith
3. “Persuasive Technology” from Let’s Know Things – A podcast about context and the news.
NP: Lovely Standards/Amel Larriuex
Hello,
Just a short blog post about an upcoming single we (Dan McCollum and I) are dropped onSaturday, 31 March. Take a listen here
::: oceans of rhythm :::
Fresh.
EDIT (27 Jan 1) SHE’S ALIVE AGAIN
It started a few nights ago. Someone in a music production forum on Facebook posted a synthesizer advertisement from back in the day…a vintage synth. Before long, members of the forum were chiming in about what they remember about those days – things like they used that synth at one point, how it compared to others of its timeframe, etc. Even I pulled out a set of old music production user group magazines and posted a pic of them.
This got me reminiscent of the first computer I was every able to purchase. The backstory (some of you may know) is when I started my professional career out of college, I was a young systems engineer working in a Naval satellite system program office. This office, surprisingly, had a mix of Macs and PCs. It was then, in 1988, when the Mac was only four years old, that my love affair with the platform began. Our business affairs guy was the keeper of the Macs in the office and it was through his enthusiasm and love for the platform that got me interested, not to mention (as I found out shortly thereafter), the magic of Apple. For the next two years, I dreamed of owning a Mac.
In 1990, I was settled into my own apartment (no more roommates) and was making enough to finally afford a brand spanking new Macintosh Classic. I purchased that computer for a whopping $1200 from a small computer shop in Silver Spring, MD. Until then, I was recording the music I was composing to a Tascam 424 multitrack tape recorder. Getting the Mac was way more exciting then most of you could ever imagine – it opened up the world of music sequencing and facilitated greatly how I composed music. It was also the first time I was able to connect to BBSs online via a blazing fast 2400 bps modem (LOL).
Since that Mac, I’ve had many more, some of which I still have in storage, some not, but it was that all in one Mac, the 9-inch B&W, the tiny sequencer, MasterTracks Pro, and a lot of other things during my early journey into using a computer for music production, that leave me with fond memories.
Two nights ago, I pulled it out of storage, set it up, turned it on, and set it in my studio. A little, but well know screensaver called Darkside, was installed. I set it to fade to the “Kitten” screensaver, a little spunky kittne that ran around the screen chasing a ball of yarn. A lot of memories came flooding back, especially those of what I could do with so little hard drive space and processing speed compared to what I have today. Having to load programs via 3.5-in floppy disks, and all the other charming things that only Apple could make you experience.
Last night, when it was appearing everything was fine with it, I decided to move it. I went to shut it down via the shutdown menu, but the mouse froze on the screen, along with the kitten. All I could do them is manually shut the power switch off. When I turned it back on, the video screen essentially malfunctioned. An awful looking pattern was now frozen in place. I repeatedly turned it off and on, trying to see if that issue would fix itself. I followed my a short shake, then firm pounding on both sides, as if I was trying to resuscitate it. All of that…amounted to nothing. It was no more.
Interesting how attached we can become to inanimate objects. While it wasnt necessary the object itself, it was more the memories attached to using it, the things I was able to accomplish during the beginnings of a journey that I’m still on. I admit that I miss it, despite the fact it was sitting in storage for years, despite the fact that the Macs I use for music production now are vastly superior to it. I just miss it…call it tech nostagia.
Today, after some research, I’ve decided to purchase another for posterity. For an original price of $1200 I paid 27 years ago, I’ve seen that computer in flea markets and classified ads selling for as little as $20. On eBay, one in good condition is well over $250. I won’t spend that much, but I’ll continue to research, continue to look around and just maybe, a sort of resurrection of sorts will occur one day in the hopefully near future.
oceans of rhythm…
Fresh!
11:30pm EST
Greetings readers. Yeah, 11:30pm on a Monday night. I should have been zzzz an hour ago. In any event, just a quick post on the movement of this track. Finally got around to laying a guitar track on Day 2 of this officially documented journey. It may be the only guitar track, as I’m a few days behind schedule in getting the entire song mixed. At least I got a good, but minor idea, for the outro, which was also recorded tonight. Provided I don’t come up with any more “11th hour” ideas (LOL), I should be starting on the mix this week, since the arrangement is done. It’s push time. Speaking of which, I recently read a good article on the subject of “deep work” as it pertains to music production. As you may guess, it overall applies to focus in getting any task done. I’m going to post it, here and on FB, in a few days…Stay tuned.
That’s it for now….off to bed…
::: oceans of rhythm :::
Fresh!
Greetings all….
As I customarily do, when I start a new project, I usually blog about for two reasons. First, to sort of document the journey so I can look back on it in the future (it helps when/if it gets down to interview time and I want to cite certain things about the creative/production process and related thoughts). Secondly, I do so for those who have a general interest on the “behind the scenes” stuff that goes along with an entire creative process such as this.
While I won’t drop the name of the project until it’s time to start pre-release marketing near the drop date, I will give you a little background along the way. That said, this project is a collection of tunes (a smaller collection than originally created) that was inspired by a business trip I took long ago, halfway across the world, ten years agi. The tunes (with the exception of one) was inspired by various aspect of daily life that I experienced on this first trip (I actually made two trips, two consecutive summers, to the same place, but the tracks were inspired by the first trip).
All the tracks, with the exception of the title track, are written, recorded and arranged by me. The stage I’m in now is track editing and mix preparation. Over the last three days, I’ve been in the studio doing just that. For example, tonight I demixed the drum track and began preparing to bus them to their respective auxiliary channels. This basic process allows for grouping those bus tracks to allow greater control over track automation and effects processing over essentially what is an entire drum kit. The next step will be adding a guitar track and essentially following that same process with respect to a single guitar track.
As for the overall concept, all the tracks tell a story, cohesively, but individually tell singular stories in and of themselves. For those of you who are on Instagram, you can get a sneak peek, if you will, to the creative journey by following the simple hashtag #bsun2017. Hope you come along for the ride.
It’s Friday….enjoy the weekend. Happy Father’s Day to all you fathers (biologically or not).
Oceans of rhythm….
Fresh!
Greetings all…
Wednesday night , 11:01 PM EST. I’m sitting here in the studio, just finishing up scoring notes for the final episode of the webseries I’ve been scoring, At Risk. This last episode is definitely classic in that it is a CLIFFHANGER for sure. With that, I have to say that the scenes shot probably provide for more musical creativity and interpretation than most of the previous ones (although, or course, that is sujective, yes?). Tomorrow I plan to actually begin scoring them film for a weekend delivery of the music and associated cue sheet info, to the director (who I chatted with earlier tonight).
It’s been quite and experience, one that I’m glad I was given the opportunity. I learned a lot, not just from dealing directly with the director and writer, but by gaining knowledge for other professional and semi-professional film scorers in the industry. While I’ve always had a “love/hate” relationship with FB (to eadh his/her own, eh?), I’ve found a particular film scoring group on here that has been nothing but a great help to me. All and all, in the end, this has been a win-win situation for me. So much so, that I already know the next step I’d like to take in this music for film/TV journey, so stay tuned.
I’ll be posting one more blog to introduce my demo page and music publishing video site where you’ll be able to hear all the original music that did not make the final episodes for the series.
In the mean time, catch all the series from this season at the official site: At Risk Series. and past in studio shots of the scoring process on my SFTF Productions, by searching on the hashtags #arws2016, #skysongsmusicpublishing, and #skysongsmusicworldwide
To all, thanks for coming along for the ride and providing all the encouraging comments. Chat soon…
::: oceans of rhythm :::,
Doug
Greetings readers….
Thursday at 8:04 am. Siting in the studio (I should be on my way to work), I’m thinking about where the summer has gone to so fast. I wish it could start over. Seems it was MUCH longer when I was much younger. There’s so much I want to do before it’s over and I’m constantly looking towards the weekend or some better after work time management to do some of these things. Oh well. c’est la vie…it’s not over yet.
Lately, I’ve been blogging on this film music scoring journey I’ve been on. It’s been a good one thus far, learning a lot, connecting with folk who regularly do it on different levels, and looking forward to continuing this ride, making it better along the way. Currently, I’m waiting for the next draft episode to be sent. In the mean time, the excitement of working on my next personal EP is again here. This one is definitely personal because the songs are birthed out of, and influenced by, two trips (same place) to the other side of the world, that occurred almost ten years ago (yes, I’ve been sitting on these songs that long). I’m glad I was afforded the opportunity to spend the amount of time I did there, the memories are still fresh.
I’ll be sharing more about it as the months go by, as I plan to drop this release before Christmas, so stay tuned.
Have a good Thursday,
Peace,
Fresh!
Greetings readers…
Yet another Sunday night is upon us. I had a good weekend, despite this mad heat (which will remain in the upper 90’s throughout the week.). That said, it was productive on the scoring front. Episode 2 is done and submitted to the movie producer for review. So far, looks like she likes, so it looks like the title sequence, Episode 1, and Episode 2 are a wrap!
Talked to the film’s director this evening as well. Seeing as though his company is juggling multip;e projects at once, it was good to have a few minutes to chat with him on the process of music submission (at least from a clarification standpoint). The result of the conversation pretty much aligns with the result fo my research, so we’re definitely good to go.
I also got a chance (finally) to interact with two of the actors/actresses in the series, via social media (Instagram) this weekend. It was good exchanging comments with them after watching them so much via video…both had mad talent through and through. Looking forward to interacting with the rest of the cast.
Well, while awaiting the next episode to begin work on, it;ll be time to d a few things:
We’ll see how of THAT goes. 🙂
‘Til next time….
peace,
Fresh!
11:00pm – Greetings readers…
Another weekend gone… 🙁 In any event, it was short, but productive. I finally submitted the rough cue music embedded in the video for the director’s review. Had a short telecon and pleasingly got the thumbs up on the title sequence music AND the scene music in Episode 1. With a slight suggested change for the title sequence track and one for the episode, I’m happy with the results, being a newcomer to all of this.
This evening was spent working on music for episode 2. As mentioned in the first post of this series, the closing scene is comprised of something I, well….never had to compose music for – let’s just leave it at 🙂 Good news is, I think I have something that fits it. I think I have one more scene I need music for and I should be ready to submit this episode as well…we’ll see.
Anyway, this is a short update. I’m anticipating a long work week ahead, and to get into bed before midnight is probably best.
Catch up soon…
peace!
Fresh