Welcome To The Sunday Soundtrack – 19 Jul 09 (UltraChilled)

Welcome listeners….

I hope this blog post finds you well. It’s a mellow Sunday evening here, nice way to round out a busy day. In the background, here in studio, is the latest mix from fleep, Summer, some very soulful global deep house….definitely suitable vibe for me any day of the week.

Speaking of week, the last one was extremely busy, just coming off a big software design review at work, and now getting ready for the resulting work thereof. This brings me to the desire to do a laid back mix, featuring an artist who I consider to me definitive example of chill….Afterlife. Here is a small excerpt from the official MySpace page:

“Steve Miller is Afterlife. The top UK Downtempo producer. The most played artist in Ibiza, at least at the beach bars and anywhere into lush, lilting, chilled and totally saturated sounds of impeccable taste. He is the sunset phenomenon, purveyor of deep and soulful music….”

The words above provide an impeccable description of the essence of Afterlife. Frankly I think the music will speak far better than anywords ever could. That being said, here’s what I have on tap for this episode:

1. Lovedub – Afterlife/The Afterlife Lounge
2. Clear Blue Sky – Afterlife/The St. Regis Chill & Groove
3. A Way (Original) – Afterlife/The Album, the Single Remixes, the Journey… Disc 1
4. Deeper – Into Places – Afterlife/Simplicity 2000
5. Breather 2000 (Arithunda Mix) – Afterlife/The St. Regis Chill & Groove
6. Speck of Gold – Afterlife/The St. Regis Chill & Groove
7. Return to Margin (Afterlife Mix) – Afterlife/The Afterlife Lounge
8. Shine – AfterLife ft Cathy Battistessa/The Blue Ba
9. Miracles – Afterlife

You can find much more about Afterlife at the following sites:

Afterlife (The Official MySpace Page)
Afterlife – The Official Website

Thanks for listening as usual, I highly appreciate it. I’ll be taking the next weekend off for some PRIME relaxation, but plan on returning in August. In the meantime, in case you missed the post, you can help me develop the playlist for the next Sunday Soundtrack. If you’re so inclined, check out the details here.

I hope whenever you’re listening to this, your in a cool state of mind. Look for you next time…

peace and blessings…

F!

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Workin’ it Out In The Lab (AfterSix Productions)

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Fresh and Solo reviewing the vocal track
Photo credit :DBassist

Hey people…

Hope all is good, and that is including your weekend. My partner and I had a recording session, more so a work session for one of the tracks from our upcoming last night. In studio was one of our vocalists, Solomon “Solo” Parker, workin’ out his part of a duet I wrote called Starting Over. I decided to bring you in on a small bit of what we were doing, and a lil bit of a blooper (we like recording those) as well.

Dan and Solo working out the lyrical flow
Dan and Solo working out the lyrical flow….

Pretty happy about how the end monologue is developing:

For some reason, my digital audio interface had the hiccups (crazy…broken… 😉 ):

The CD project is moving along, though it’s been a long timecoming. We plan on dropping it before the end of the year. Stay tuned for the official website launch

peace….

Doug

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Feenin’ for my satellite radio…ugh

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It’s been a while since I wrote a blog post, so….hello! LOL.

For the last week or so, I’ve been in a rental car while my regular ride is in the body shop. While I miss my regular auto and all the amenities therein, I really miss my satellite radio.

Mannnn….with the variety of programming provided by satellite radio, I really have found out how much I miss it when I start listening to…………urban contemporary radio. I’m really not hatin’ and yes I am post 40 years old but….where… is the talent in today’s urban contemporary R&B??? Somebody? The keyword, I believe, in this phrase is “contemporary”, which in itself (by default) describes the state of today’s R&B…most of it anyway.

Technology has made it such that anyone with some modest computer skills or (hardware and/or software) can compose music (if you want to call it that, in some instances)…or “beats” (ugh). Ok, a good deal of you reading this know I am a musician. I play three instruments, guitar, bass, and keyboards, in that order. Beats…..are what I know to be the drums and percussions in a song. Me, I like to make “beats” as part of my songs. Am I clownin’ the phrase “beats” (a term that has become all encompassing in computer and electronic music production systems), yeah…I am. I’m clowning it only because making popular music today, especially in the urban circles, has been really watered down and devoid of any true musical knowledge of theory and arranging. Gone (in urban music) is “the band”…the only known remnant of such today would be….The Roots. In no other genre (save genres of electronic dance music which never had bands anyway, except in the early days with the likes Devo, Kraftwerk, etc) of music is “the band” really dead, especially rock and country music. I think that fact draws a direct correlation to the lack of *musical* talent in popular urban contemporary music.

Is there anything *wrong* with where urban contemporary music has evolved to? No, I don’t think so. I do think that the music has evolved, but incompletely…the “talent” was left behind for the most part. I believe hip-hop has had the greatest evolution of any genre that I have listened to (especially being a listener BEFORE it went commercial radio). The evolution of those in charge of A&R has a great deal to do with where the music is as well. For years the marketing of R&B as long been about what the street says is hot…flash and show vs talent. Long gone are the long multiyear contracts for artists for various reasons, but with that leaves the great anticipation of your favorite artist coming out with a release of jams every year (I know some of u remember this….(wink)).

The music industry has evolved, as a whole, not necessarily for the best (in my own mind). I don’t think listeners in their 20’s would necessarily agree but, just as I was, it’s what you’re are continually force fed (as is said) or exposed to commercially that you determine as normal, and even good.

I’m sure my parents and yours would probably expound on the state of music I grew up on as teenager/young adult, in the same way I am in this post. I think the difference here versus then would be the inclusion of actual musical talent in what I was growing up listening to, versus what is prevalent now. There was a surge of “neo soul” that was big, seems like we just came off the “throwback” era of current artists bringing back that true soul sound (I actually like Raphael Saadiq’s “100 Yard Dash), etc…but they don’t appear to be fueled by the record industry with respect to what is “hot” and selling.

In defense of urban contemporary music, I would never say it takes no talent to create what is in heavy rotation. It does take talent to leverage the technology of recording to manifest the end product, it’s the theory, love and joy of learning to compose on a musical instrument that is lacking. I, too, am an electronic musician as well and love some of the genres that are strictly electronic (hence my features of such on my weekly podcast). I think the advent of technology will continue to make such a desire to learn an instrument diminish as times go by…IF…such a desire is not kept alive through various means (people and programs, etc).

As for satellite radio and especially internet radio, they both give a welcomed alternative to commercial radio. Couple that with the state of music distribution via the internet, the entire recording industry IS evolving. I miss my XM, not just because I dont have to deal with commercials every 10 mins either. I hope to have my ride back next week.

What are your thoughts?

peace…
F!

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Welcome To The Sunday Soundtrack – 12 July 08

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Photo Credit: Sandy Betts

Good day listeners….welcome to another edition of The Sunday Soundtrack. It’s a gorgeous day out (which lets u know I am actually doing this Sunday afternoon…ha!) In any event, I will definitely be partaking of some of this sunshine. I hope things are well were u are!

I’ve got a good mix of tracks for this edition, presented in my usual “rush hour” mix – uptempo (leaving work) to a slow pace (winding down at home). On tap is some Incognito, Blue Six, ORG Lounge, Keston and Westdal, and the like,

Kudos to my many listeners, especially those on Twitter, who continue to provide me with links and visuals to help my present this podcast in a unique way. Shout outs to my Facebook group members as well. Thanks for listening…Kristoff…much thanks for feeding my global goodness for the podcast. That being said, I present to u the playlist for 12 Jul 09:


I Can See The Future – Incognito/No Time Like The Future [Bonus Track]
Sanctuary – MJ Cole/Sincere
Reel Life (Evolution II) – The Cinematic Orchestra/Man With a Movie Camera
Good Morning London – Kaya Project/Elixir
Aquarian Angel – Blue Six/Aquarian Angel
Onikoroshi – Keston and Westdal/Super Structure Baby
Musikkvennen – ORG Lounge/Has It Come to This
Nobody Knows Me -Aya/Strange Flower
Florent 2 A.M – Blank & Jones/Relax Edition 3 (Sun) – EP
Right Is Right [Full Version] – Paradiso/Paradise II Paranoia

Another weekend come and gone. I enjoyed it, spent some time at the pool, working on some personal tracks in studio, advancing work on our CD project, etc. I hope that your weekend was as enjoyable, and that your work week is even better.

If you’re on Twitter and Facebopk, please feel free to follow The Sunday Soundtrack there as well. The links are in my blogroll….over there ——->

Keep it chilled…

peace,
F!

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Welcome To The Sunday Soundtrack – 05 July 09

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Photo Credit: 2Serenity

Hello listeners….

Happy Independence Day weekend for those stateside. I hope it was and will continue to be safe. Welcome to this edition of The Sunday Soundtrack. I hope all is well with u.

This edition of the podcast brings an eclectic mix of ambient, electronica, latin vibes, and classic jazz onto the musical palette, so I hope that u can find a color to suit your mood. Per a recent conversation, I’ve got some Vikter Duplaix for one of my new listeners, Tiffany…I hope you enjoy the track. Jazz guitar great Kenny Burrell is on tap as well…that track goes out to fellow guitarist and Twitter buddy Ray Betts.

I’d like to take a moment to give thanks to all my listeners, globally and locally. I always appreciate the comments and encouragement in bringing this podcast to you on a regular basis. Props to my podcasting crew over there on the right, in my blogroll. They bring a style and finesse that oftern aspire to. Thanks for doin’ it big.

That being said, the playlist is as follows.

As Possible (feat. Baschin) – Chris Zippel/Genuine Horizon
Nowhere (Crazy P’s Heatwave Mix)/Aquanote Bare Essentials, Vol. 2
Around, Arrived – Chris Zippel/Genuine Horizon
Let Go – Kuba/Inside Out
The Number Readers – Subsurfing/Frozen Ants
Dentro De Cien Anos – The Metitxell Project/The Metitxell Project
Slight Accent – Ray Obiedo/Modern World
Another Great Love Gone By Featuring Esthero – Vikter Duplaix/Bold & Beautiful
Tenderly – Kenny Burrell/Lucky So And So

All the tunes above can be found on iTunes, and I am sure Amazon.com. The Sunday Soundtrack podcast is also available on iTunes.

Thanks for listening, as always. If you’re on Twitter and or Facebook, please feel free to follow me there as well. The links are to the left, in my blogroll.

Have a great week….keep it chilled.

peace,
Fresh

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The Session…Jazzy vibes in The ‘Lab

The Lab.

So….I had a recording session tonite at The Lab. A fellow musician, friend, and talented keyboardist came by to record some original material he records live when we do sound checks early Sunday mornng…so much so, that he has 4 CDs of various musicians (including me) improvising over very nice arrangements he just comes up with as the audio crew gets us ready for the service.

What was cool about this session is that it was just him laying down keyboard tracks. I record in Logic Pro which really has some NICE drum loops across a great deal of genres, not to mention EXCELLENT acoustic and electric piano emulations as well.

About seven track were recorded, but only one, an uptempo tune with a Latin feel, used an acoustic piano. The rest we use a Suitcase Mk II Fender Rhodes electric piano….very nice….fit the vibe of the tunes perfectly. I couldn’t find specific drum loops to fit every track we recorded, but the absence thereof even lent a new feel to the track itself, in some cases.

I have some drum programming to do…looking forward to that in hopes of seeing what new life will be breathed into these songs….

It was good….very good.

peace,
F!

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Music Production on the MPC

Greetings producers, et.al…

I finally started getting up to speed on the latest addition to The Lab…the Akai MPC 1000. I’ve viewed 100’s of videos on YouTube of artists that produce music on all versions of the MPC. For a history on this legendary music production center, check this out

In any event, I keep a lot of notebooks in my studio library, documenting how I do things, always tryna better my workflow. Here’s a graphic of something I whipped up to keep a hard copy of the projects I work on (in case the software files get corrupted, lost, etc). Just something in the works I’m sharing with the music production community.

Ok, back to work…

peace…
F!

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Welcome To The Sunday Soundtrack – 28 Jun 09

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Hello Listeners…
Thanks for checking out the Sunday Soundtrack once again, it’s always a pleasure bringing it to you.

Here we are, in the summer solstice once again. Being a four seasons man, I always embrace it (u can keep the humidity though) for it brings long summer nignts…even with the heat, that can be a cool thing.

Speaking of summer, I started with a track that reps summer in last week’s podcast and will continue do so here (see the playlist below) with a regular artist on The Sunday Soundtrack, Chevalier. What’s summer with the beach? Two artists from the Blackfish Productions camp bring us “Bondi Beach” and “blue beach”, as well. Now that we’re in the summer flow, I bring to you, the playlist

1. De Muse – Fragmentorchestra/ragmentorchestra
2. Cham’s Groove – Groove 7/SFTF – Barrigada Sky
3. Soon – ORG Lounge/Has It Come to This
4. Seemless – Buddha Lounge/The Best of Lounge – L.A. Lounge
5. Summer Nights – Chevalier/Balance
6. Drift – Buddha Lounge/The Best of Lounge – L.A. Lounge
7. Interject – Buddha Lounge/The Best of Lounge – L.A. Lounge
8. blue beach – boot cut rockers/moving pattern session 1
9. Bondi Beach – Blackfish/Hidden Shore
10. Cinquo Dias – Espresso Del Lago/Yeki

Even though the heat is here in my neck of the woods, today we have a cool reprieve. I hope this edition of The Sunday Soundtrack matches that reprieve.

My prayers and condolences go out to the Jackson Family regarding the loss of their son, Michael Joseph Jackson, this past Friday. Without getting into a long post about this phenomenal artist, I’ll suffice it to say that it’s my belief that the King of Pop has gone to be with The King of Kings: Remember The Time

For those of you on Twitter, please feel free to follow me there . For those who are on Facebook, please feel free to join the Sunday Soundtrack Facebook Group as well. Shouts to my entire podcasting massive in the blogroll. I hope your week is chilled.

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Call me a neo-Luddite (old tech wins this round….)

In my recording studio, I have a very old sampler, a Yamaha TX16W. This sampler has a 3.5″ disk drive that reads Yamaha’s proprietary format sample lilbrary. I have at least three cases of sample disks that I’d like to convert before possibly selling them with the sampler. I really didn’t want to fire up the sampler, connect a MIDI keyboard, play the sample, record the audio into my computer, and save it…but…that would seem the only way to do it….UNTIL…I remembered that I could use an old app called Sound Converter to read the sample disk and do the conversion for me. The problem was these disks are ALL 3.5″ DSDD floppy disks. A-ha…no problem – I can buy USB drive 3.5″ floppy disk reader. Drive purchased, disk inserted…no cigar…the drive only reads HD 3.5″ floppies….bummer. Light bulb goes off…pull out ye olde Power Mac 7100, and hook it up….it has an internal CD-ROM drive *and* internal floppy drive that reads 3.5″ DSDD and HD floppy disks….voila! Fortunately, since I started music production on this computer like 10+ years ago, it’s still running Mac OS 9.1, and has Sound Converter installed as well. Cool!

I set it up, hooked up a spare flatscreen monitor, an iOmega Zip drive and again was in business, like the old days! Fortunately, I was able to find the app PC Exchange on an older Mac OS system update disks that had the DOS Compatibility app software on it which allows me to read DOS formatted floppy disks. I popped the first sample disk in, opened the file with Sound Converter, and did the conversion…good to go. Now to do the other gazillion disks!

Definitely paid to keep the old hardware around. Yeah, for those who know, the samples are 12-bit (as opposed to 24-bit today), but I love samples….the bigger my library, the better…they sound pretty decent for a sampler from the 80’s 😉 It’s 3:13am Saturday morning….thankful I can sleep in and late for once! Good night!

peace…

F!

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Remember The Time……

My Favorite Song By MJ

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